World Building (pt 9) – Pulling it Together

I’ve written a lot about building a world and probably scared a few readers off. It doesn’t have to be that difficult. The fun thing about building an imaginary world is that you get to decide how much detail is enough and share it through the narrative of the story. Let’s take a look at this with a simplified example. I’ll re-cap the elements of world building, then use a world to draft an opening scene for the story, then show how the world’s elements are shared in that opening scene.


Recap of key world building steps

The world we build is as important as the characters within it. To help you develop your location or scene for a story, here’s a simple exercise that will guide you through the process of creating believable cultures and histories, establishing laws, ethics, and morality, developing political structures and economies, building landscapes and geography, and constructing a cosmology and mythology.

Step 1: Create a Culture and History

Start by considering the culture of your setting. What values are important to its inhabitants? Are they spiritual or materialistic? Do they honor ancestors or gods? How did their society form and evolve? Write down five key aspects of their culture that will shape how people interact with each other and the world around them.

Step 2: Establish Laws, Ethics, and Morality

Next, think about the laws, ethics, and morality of your setting. What are the rules? Are there any taboos or customs that must be followed? How do people judge right from wrong? Write down three laws, five ethical principles, and three examples of moral dilemmas characters might face in this environment.

Step 3: Develop Political Structures and Economies

Now, consider the political structures and economies of your setting. Who holds power? Is it a monarchy, democracy, or something else entirely? How does wealth circulate within society? Write down the structure of the government and five economic factors that influence daily life in this world.

Step 4: Build Landscapes and Geography

It’s time to focus on the landscapes and geography of your setting. What kind of terrain do characters traverse? Are there mountains, deserts, forests, or something else entirely? How does the environment shape life in this world? Write down three distinct landscape features and explain how they impact daily living.

Step 5: Construct a Cosmology and Mythology

Finally, delve into the cosmology and mythology of your setting. What do people believe about the universe? Are there gods or other supernatural beings? How does this belief system influence their lives and decisions? Write down three core tenets of the cosmology and two popular myths told within this society.


Opening Scene: The Market Square

The bustling market square was alive with activity as merchants hawked their wares and people from all walks of life mingled. The aroma of freshly baked bread, roasting meats, and exotic spices wafted through the air, enticing passersby.

In one corner, a group of young boys played a lively game of dice while their mothers gossiped nearby. A pair of traveling musicians strummed melodies on their mandolins, drawing curious glances from passersby. Near the center of the square stood an old stone fountain, its water sparkling in the morning sunlight as people quenched their thirst or filled empty jugs.

But amidst this vibrant scene, tension simmered beneath the surface. A wealthy merchant glared at a rival vendor selling identical goods for cheaper prices. Across the square, two young men exchanged heated words over a disputed debt that threatened to turn violent at any moment. And lurking in the shadows, a cloaked figure watched it all unfold with keen interest – their eyes hidden by shadow, but their intentions clear as day.


The Breakdown

Culture and History: The market square reflects the bustling, communal nature of life in this setting where people from all walks of life come together. It also hints at a competitive spirit among merchants vying for customers’ attention.

Laws, Ethics, and Morality: The law appears to be lenient when it comes to business competition, allowing rival vendors to sell similar goods without interference. However, there are clear ethical lines being crossed as evidenced by the dispute over prices and debts. Moral dilemmas arise when characters must decide whether they will uphold these laws or take matters into their own hands.

Political Structures and Economies: The market square serves as an example of a decentralized system where individual merchants control their own businesses without interference from central authorities. Wealth circulates through bartering and purchasing goods, indicating that this economy is based on trade rather than currency.

Landscapes and Geography: The location of the market square within an urban environment suggests that cities are important centers of commerce and culture in this world. The presence of fountains also hints at a well-developed infrastructure for water supply and sanitation.

Cosmology and Mythology: The existence of old stone fountains implies a long history within this setting, suggesting an ancient civilization with advanced engineering capabilities. However, no specific myths or belief systems are mentioned in the opening scene; these will likely become more apparent as the story unfolds.

Hopefully, this simple example illustrates how to quickly use a world to add narrative elements to your scenes. Try following this exercise on your own and see what you come up with. Good luck writing!


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World Building (pt 8) – Brick by Brick


Incorporating technology and infrastructure into your world building is essential for creating a rich, immersive, and believable fantasy setting. By examining how these elements function within a society, you can add depth, complexity, and intrigue to your story.

  1. Establishing the Infrastructure:
    The first step in incorporating technology and infrastructure into world building is setting up the foundational systems that support a society. Consider factors such as transportation networks (e.g., roads, waterways, or air travel), communication methods (telegraphs, messenger birds, or magical spells), and energy sources (wind, water, magic, or a mix).

For example: In Brandon Sanderson’s Mistborn series, the infrastructure includes the vast rail system called the Final Empire Railway, which connects cities and allows for efficient transportation of resources.

  1. Introducing Advanced Technology:
    To make your world building stand out, introduce advanced technology that pushes the boundaries of what’s possible within your story. This can include inventions like steam-powered machines or enchanted artifacts with unique capabilities. Consider how this technology fits into your society and its implications on daily life.

For example: In Scott Westerfeld’s Leviathan series, steampunk technology is used to create incredible airships and advanced weaponry that change the dynamics of warfare.

  1. Balancing Technology with Magic (if applicable):
    If your world includes both technology and magic, strike a balance between these two elements to maintain consistency within your story. Consider how they might interact, such as one enhancing or hindering the other, and ensure that their use remains logical within the rules you’ve established for each.

For example: In Naomi Novik’s Temeraire series, dragons serve as both technological advancements (as living machines of war) and magical beings with their own abilities, requiring characters to navigate the complexities of both realms.

  1. Exploring Societal Impact of Technology:
    Technology and infrastructure can have profound effects on a society’s culture, politics, and economy. Consider how these elements shape character motivations and societal structures, and explore the implications of technological progress in your world.

For example: In Neal Stephenson’s Anathem, the rigid structure of society is influenced by the isolationist monks who have dedicated their lives to studying the fundamental laws of nature, with technology playing a crucial role in both their research and societal interactions.

  1. Creating a Living World:
    By incorporating technology and infrastructure into your world building, you create a living, breathing setting that readers can engage with on multiple levels. These elements offer opportunities for rich storytelling, character development, and world exploration.

For example: In China Mieville’s Perdido Street Station, the intricate interplay of biotech and mechanical inventions forms a backdrop to the novel’s complex plot, exploring themes of identity, morality, and societal change.


Incorporating technology and infrastructure into your world building adds depth, complexity, and immersion to your fantasy setting. By examining how these elements function within a society and exploring their implications on culture, politics, and daily life, you create engaging stories that captivate readers’ imaginations.


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World Building (pt 7) – It’s Magic!

In this post, we’ll explore strategies for crafting magical systems and fantastical elements that captivate readers and elevate your world building in the realm of fantasy writing.

  1. Defining the Rules of Magic:
    A well-defined magical system establishes clear guidelines for how magic functions within your world. This includes determining its source (e.g., divine intervention, natural forces, or an inherent ability), setting limitations on who can wield it, and establishing costs or consequences for using it. These rules provide a solid foundation for your magical system and help maintain consistency throughout your story. For example, in J.K. Rowling’s Harry Potter series, magic has a well-defined system with clear rules. It comes from an inherent ability within each person, with some possessing greater potential than others. Magic can be used for various purposes but comes with costs, such as exhaustion or the risk of attracting Dark forces.
  2. Designing Magical Creatures:
    Magical creatures add depth and intrigue to your worldbuilding. Consider their origins, appearance, abilities, weaknesses, motivations, and how they fit within the established rules of your magical system. Unique creature designs can serve as symbols of power, mystery, or danger, and offer opportunities for character development and engaging storylines. In Nickelodeon’s Avatar: The Last Airbender, magical creatures add depth and intrigue to the world. The Draugr are an example of a unique creature design with origins steeped in Norse mythology. They possess both magical abilities (e.g., raising the dead) and weaknesses (vulnerability to fire), making them formidable adversaries and engaging story elements.
  3. Developing Spells and Magic Items:
    Spells and magic items provide tools for characters to advance the plot or overcome obstacles. Create rich and varied inventories of spells, each with unique properties and limitations, and magic items imbued with magical power that can be used in various ways. Consider their origins, effects, and any potential consequences or repercussions for using them. In J.R.R. Tolkien’s The Lord of the Rings, spells and magic items serve as tools for characters to advance the plot or overcome obstacles. Gandalf’s staff is an example of a powerful magical item that can be used in various ways, from casting protective spells to summoning eagles for transportation. The Rings of Power are crucial to the overall plot as well, providing abilities and risks that drive the story forward.
  4. Balancing Magical Power:
    To maintain tension and conflict within your story, ensure there is a balance between magical power and its consequences. Introduce antagonistic forces that wield magic, limit access to powerful spells or items, or create moral dilemmas surrounding the use of magic. These elements add depth and complexity to your world building while pushing characters to confront ethical questions and challenges. In Robert Jordan’s The Wheel of Time series, magic is balanced by introducing antagonistic forces that wield it. The Dark One and his followers represent the ultimate threat to magical power, driving characters to confront their limitations and make difficult choices.
  5. Introducing Mysteries and Secrets:
    Magical systems are ripe for weaving mysteries and secrets that captivate readers and keep them invested in the story. Incorporate enigmatic elements into your magical lore, gradually revealing these secrets over time to characters and readers. These hidden truths can serve as catalysts for character development, plot progression, and reader engagement. In Philip Pullman’s His Dark Materials series, enigmatic elements are woven into the magical lore, gradually revealed over time to both characters and readers. The nature of Dust and its connection to human souls serves as a captivating mystery that drives much of the plot and character development.
  6. Establishing Consequences of Magic:
    Ensuring there are consequences for using magic adds depth and realism to your magical system. Consequences can take the form of moral dilemmas, physical repercussions (e.g., draining the user’s energy or causing long-term damage), or societal consequences that impact how magic is perceived and used within your world. These elements add tension and complexity to your story while pushing characters to confront their limitations and make difficult choices. In Patrick Rothfuss’s The Name of the Wind, there are consequences for using magic, such as physical repercussions or societal implications. Kvothe, the protagonist, must confront the long-term effects of his magical actions and make difficult choices to protect himself and those he cares about.
  7. Creating a Magical Cosmos:
    Consider how your magical system fits within the larger cosmic landscape of your world. Are there celestial bodies or otherworldly beings that influence magic? How does this impact the way magic is used and understood by characters? Developing a magical cosmos adds a sense of grandeur and depth to your worldbuilding, offering opportunities for exploring the interconnectedness of various elements within your magical system. In Terry Pratchett’s Discworld series, magic fits within the larger cosmic landscape of the world through celestial bodies and otherworldly beings. The Luggage, an animated sentient chest that accompanies Rincewind, offers a humorous example of a magical cosmos element.
  8. Balancing Realism and Fantasy:
    Striking a balance between realism and fantasy when crafting magical systems allows you to create imaginative and captivating worlds while maintaining reader immersion. Ensure that fantastical elements fit logically within the established rules of your world, and consider how they might be explained through in-world lore or mythology. This balance creates a rich and engaging setting where magic feels both otherworldly and believable. In Neil Gaiman and Terry Pratchett’s Good Omens, striking a balance between realism and fantasy creates an imaginative and captivating setting. The novel explores the relationship between an angel and a demon who are tasked with preventing Armageddon but must navigate the complexities of human society. By blending fantastical elements with real-world challenges, the story maintains reader immersion while offering engaging and thought-provoking themes.

Masterfully crafted magical systems and fantastical elements elevate your world building in the realm of fantasy writing. By establishing clear rules, intriguing creatures, and engaging spells and items, you create a captivating and immersive setting that resonates with readers.


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World Building (pt 6) – Landscapes & Geography

Landscapes and geography are essential building blocks in the creation of a believable and captivating fictional world. In this post, we will explore strategies for crafting diverse, intriguing, and immersive landscapes and geographical features that form the backdrop for your stories and settings.

  1. Identifying Key Geographic Features:
    Consider the major topographical elements that define your world’s landscapes, such as mountains, deserts, rivers, forests, or coastlines. These features can influence the climate, vegetation, animal life, and human settlement patterns within your story. Understanding these natural aspects will help you create a geographically consistent and believable world. Many authors like to start with a map. Orson Scott Card has written how an interesting piece of handmade paper inspired in to sketch a map, which in turn gave him an idea for a story due to an accidental flaw in the paper which created a unique feature (bonus points if you can comment on what this story was).
  2. Designing Biomes:
    Biomes refer to distinct ecological communities characterized by specific climate patterns and vegetation types. Examples include tropical rainforests, temperate forests, deserts, grasslands, and tundra. Each biome comes with its unique challenges and opportunities for character development, plot progression, and world building. Unique biomes can become drivers for story as well. Alan Dean Foster created several unique biomes for his stories that became challenges for his characters, and in some cases characters themselves. His Icerigger trilogy is one example, as are Midworld, and Cachalot.
  3. Creating Terrain Variety:
    Provide terrain variety within your landscapes to keep readers engaged and offer diverse settings for your characters. This might include combining elements such as mountains, forests, and rivers, or introducing unusual features like volcanic formations, caverns, or underwater settlements. One thing to consider is how the terrain will affect the political, economic, and mythological elements of your world.
  4. Considering the Impact of Geography on Human Settlement:
    Geographic features can significantly influence human settlement patterns and societal development. For instance, mountainous regions might lead to the creation of fortified cities, while coastal areas may foster maritime cultures and trading hubs. Understanding these influences will help you create more authentic and believable settings for your stories.
  5. Developing Geographical Conflicts:
    Geographical features can also be sources of conflict within your world. Consider how disputes over valuable resources, territory, or strategic locations might shape political dynamics and fuel conflicts between characters and factions. Here too, the intersection of geography and economics can help create interesting story lines.
  6. Building Landmarks and Iconic Features:
    Landmarks and iconic geographical features provide unique visual landmarks that help readers connect with the settings in your stories. These elements can serve as symbols of power, mystery, or adventure and add depth to your world building.
  7. Considering Environmental Challenges:
    Geographic challenges like extreme weather conditions, natural disasters, or hazardous terrain can create intriguing storylines and push characters to overcome adversity. These elements add tension and complexity to your world building, making it more engaging for readers.

Incorporating well-designed landscapes and geographical features into your world building process adds depth and richness to your stories. By understanding the impact of these natural elements on human settlements, conflicts, and societal development, you create a captivating and believable setting that resonates with readers.


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Something Extra

I’ve been remiss in writing my blog content recently, so decided to post an excerpt from a work in progress. You may recognize one of the characters from my series on character development. Enjoy.


A palpable stench assaulted Elara’s senses, a noxious blend of decay and filth. The pungent tang of rotting food mingled with the rank aroma of spoiled garbage, its sickly sweetness clinging to her nostrils and forcing her to wake, gagging. Decomposing organic matter gave way to a sharper, more pungent smell – the unmistakable stink of putrefying meat and fish. The sour, acrid odor of urine added another layer to the cacophony, a reminder that this was a place where nature fought a constant battle against decay and filth. It was a smell that spoke of neglect, disarray, and the unyielding passage of time.

Elara groaned, and forced her eyes open, afraid to see what foul place she had been thrown into now.

“Goddess, help me,” she pleaded softly as she spotted the barest hint of moonlight edging its way into the filthy alleyway she awoke in. Garbage was obvious in the large metal bins pushed against one wall. Dirty rainwater, she hoped it was water, puddled the rough street and she heard strange sounds from the distant opening. A few lights shown through the mouth of the narrow passage.

She took hold of herself, realizing she was still naked except for the silver anklets with their tiny jewels and moonstones. She reached out with her mind, seeking the cool comforting connection to the powers her goddess had granted. The barest trickle of power would clothe her. It was one of the fist lessons an acolyte learned, weaving the moon beams into clothes.

For the first time since learning the weave, her goddess’ power eluded her. The loss of her connection hit her as hard as the wizard’s fist had. She struggled to sit up and hugged her knees to her tightly. Where was her patron? Why had the connection been lost? How?

Alone. She could sense none of her sisters in the order. She could not feel Mother Nightbloom, the only woman she had granted the appellation of mother. She had always had someone of the order on the periphery of her awareness. Even in the dungeon of obsidian, she could feel a tenuous connection to the women of the temple in the Enchanted Forest. Of course, there it had been nearly overwhelmed by the emotions of the other prisoners. Now, it was simply absent. The magnitude of her loss sent a shiver through her soul, and she felt unbidden tears touch her face.

Alone. Not only were her friends and sisters gone, but her goddess was also as well. The usual sense of comfort and reassurance was absent.

She sucked in a deep breath of the putrid air, wishing for some hint of home, only to remind herself of the many lessons from her training.

“Have pity for others, but it has no place for your own actions,” Mother Nightbloom had instructed. “Do not waste time pitying your circumstances, do something about them!”

She focused inward, seeking the place where she felt the peace of the goddess. This too, she had been deeply trained in. Her years as an initiate had prepared her mind and body for the trials of being an acolyte. Her years as an acolyte had honed powers that mere mortals could only imagine. She had reached the final trials to be anointed a priestess five years earlier than most expected to achieve that rank. She would not be deterred.

She reached out once more, focusing on the memory of the power granted to her. She resisted the urge to strain for it, opening herself and waiting until she felt the lightest of touches on her awareness. The power was there, but faint like an echo in her mind. Regardless, she willed that trickle to manifest. She felt the soft caress of cloth on her skin and opened her eyes.

It was not the full gown of a priestess as she had envisioned, but a short dress of blues and greens. At least it covered her nakedness. She felt drained from the effort but forced herself to stand and move away from the stench of the container hiding her from the main street. A crate of some strange material was a few steps further down the alley. She sat, exhausted, but determined to try once more to weave the moonbeams.

Before she could reach the meditative state of calm again, a new sensation intruded upon her. A longing, not for the goddess, but for a man. She relaxed her mind, trying to fathom who the man was. It was not the magician who had raped her before casting her out, that much she was certain of. She shuddered at the thought of the evil man’s touch even as she realized she could feel his seed leaking from within her. She needed a bath.

No, the man she sought was not a magician, but someone of power from this world. She knew she needed to find him. A man of power, but she could think of no name, no face, no way of identifying him. She only felt the need to search and find.

A geas! That evil bastard was using her to find someone, she realized.

She knew of spells to impose a geas. Only the highest priestesses were allowed to use them, but she knew the signs. The flames of her anger were blown brighter. Her goddess had truly forsaken her if she could not fight this compulsion on her mind. While she wanted to resist the pity welling up in her throat, her loss was all consuming. For the first time since being raised as an acolyte, she cried with the nearly silent sobs from her childhood.

Alone and abandoned again.


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Challenge and Response

In my last post, I challenged you to complete an exercise focused just on the economic aspects that may not even have direct impact on a story. I asked you to:

  1. Pick a favorite story or novel.
  2. List how one group of people in the story make a living.
  3. Use the five why’s to explore why the live that way.
  4. Pick one of the answers to those five why’s and decide how it influences the political structure of the culture the group lives in.
  5. If the story has characters opposing that political structure, explain why they oppose it; if the story does not have such a group, create one.

Here are my answers to the exercise:

  1. I chose J.R.R. Tolkien’s “The Hobbit” and “Lord of the Rings” novels.
  2. Hobbits are the natural group to use for this exercise, since the main characters of the novels are hobbits. Hobbits are portrayed as simple, peaceful, agrarian people who value their quiet and unassuming way of life. They primarily earn a living through farming, fishing, hunting, and animal husbandry on their family estates or small homesteads in the Shire. Going a little deeper, here are some ways Hobbits make money, based on the descriptions in the novels:
    • Farming: Most Hobbits own and work on their lands, which they inherit from their families. They cultivate various crops such as corn, wheat, vegetables, and fruit trees. They also raise livestock like pigs, chickens, goats, and horses for meat and dairy products.
    • Trading: Some Hobbits may engage in trading with their neighbors or merchants from other regions. They sell their surplus produce, livestock, and crafts to earn Tollans (Silver coins) or other forms of currency. For example, Bilbo Baggins sells some of the treasures he acquired during his adventure to Gandalf for a handsome sum.
    • Crafting: Hobbits are known for their skill in various crafts like woodworking, blacksmithing, basket weaving, beekeeping, and cooking. Some may sell their creations to other Hobbits or travelers passing through the Shire.
    • Wages: A few Hobbits work as laborers or servants for wealthier landowners or hobbit-businesses, receiving wages in return. For example, Samwise Gamgee works as a gardener and later as a cook for Frodo Baggins.
    • Adventure/Quests: Occasionally, some Hobbits embark on adventures or quests that lead them to discover hidden treasures or acquire valuable items which they can sell or use to improve their lives. Bilbo’s journey in “The Hobbit” and Frodo’s mission in “The Lord of the Rings” are examples of this.
    • Gifts: Hobbits also value gifts and hospitality, and may occasionally receive them during celebrations, festivities or as a sign of friendship. These gifts could be food, clothes, or other useful items that can help Hobbits make ends meet.
  3. Using the Five Why’s:
    • Why do Hobbits live this way? Love for the land: Hobbits have an innate connection to the earth and consider it a source of nourishment, happiness, and inspiration. They take pride in working their own lands, cultivating crops, raising livestock, and enjoying the fruits of their labor. This strong bond with nature is what drives them to be farmers, craftsmen, and artisans.
    • Why do Hobbits employ crafting and trading as part of their economy?
      • Self-sufficiency and barter system: A significant portion of Hobbit society is involved in agriculture and livestock rearing, which leaves many individuals with surplus produce or crafted items that can be traded for other necessities or luxuries. This self-sufficient lifestyle relies on a local barter economy where goods and services are exchanged directly between producers and consumers, without the need for a standardized currency.
      • Economic necessity: Crafting allows Hobbits to produce essential items they may not be able to obtain through agriculture alone. For example, they make tools, clothing, furniture, and various other items needed for everyday life. Trading provides them with the means to acquire goods or services that cannot be produced locally, such as textiles, metals, and rare resources.
      • Social connections: Crafting and trading provide opportunities for Hobbits to engage with their neighbors, develop friendships, and build a network of mutually beneficial relationships. These social connections strengthen community bonds and contribute to the overall well-being of the Shire’s economy.
    • Why does self-sufficiency matter to them? By being self-sufficient, Hobbits minimize their reliance on external sources for essential goods and services. This independence provides them with greater stability and security, allowing them to weather economic instability, natural disasters, or other external threats more effectively.
    • Why do they seek security from external threats? The Hobbits’ preference for a quiet, peaceful existence often leads them to fear the unknown. External threats represent the uncertainty and instability that they seek to avoid in their lives. By securing themselves against these threats, they can maintain their sense of stability and security and reduce the anxiety that comes with living in an unpredictable world.
    • Why do Hobbits fear the unknown? The Hobbits’ history is marked by invasions, conflicts, and external pressures that forced them to adapt and form strong communal bonds for protection. These experiences instilled in them a deep sense of vulnerability to the unknown and the importance of maintaining a secure and stable existence.
  4. Pick one of the answers to those five why’s and decide how it influences the political structure of the culture the group lives in. I chose to look at how the fear of the unknown and their economy drove their political structure and interactions with the broader world.
    • Decentralized decision-making: The fear of external threats and the unknown led Hobbits to prioritize local control and decentralize decision-making. Each community or “shire” was responsible for managing its own affairs, which helped maintain stability by allowing them to address their specific concerns and adapt to changing circumstances without interference from a centralized authority.
    • Communal work: The Hobbits’ preference for self-sufficiency and mutual cooperation gave rise to a strong communal work ethic. This mindset was reflected in their political structure through the organization of various guilds, societies, and associations that facilitated collaborative efforts and shared resources among neighbors and colleagues.
    • Economic interdependence: The interconnected nature of Hobbit economic activities, such as crafting, trading, and agriculture, fostered a sense of mutual reliance and cooperation within their communities. This interdependence helped strengthen the social bonds between Hobbits, creating a strong foundation for the communal spirit that underpinned their political structure.
    • Adaptability: The adaptive capacity of the Hobbits allowed them to respond effectively to changing circumstances or external threats by forming alliances, adopting new practices, and implementing innovative solutions. This resilience was essential in maintaining the stability of their society and enabling them to weather various challenges throughout history.
    • Sub-leaders: As each community assumed responsibility for managing its own affairs, they appointed sub-leaders or “ruling families” to oversee local issues and facilitate cooperation among members. These sub-leaders were elected based on their wisdom, experience, and leadership abilities, ensuring a democratic and representative system of governance that responded to the specific needs of each community.
      • The Longbottoms: A notable exception to the decentralized political structure was the role of the Longbottom family, who served as the “High King” or monarch of the Shire. Their position was more ceremonial than practical, representing the unity and continuity of Hobbit society rather than exercising significant political power.
    • The Shire-Reeve: Although the political structure of the Shire was primarily decentralized, there existed a small centralized authority in the form of the Shire-reeve (or Sheriff). This officer, appointed by the High King, was responsible for maintaining law and order, collecting taxes, and managing external relationships on behalf of the entire Shire.
    • Resistance to change: The Hobbits’ fear of the unknown and their preference for stability led them to resist external influences and changes that threatened their traditional way of life. Their political structure was designed to preserve their unique cultural identity while allowing for adaptability in response to changing circumstances.
  5. If the story has characters opposing that political structure, explain why they oppose it. There are multiple opposing views to the political structure in the Shire within the “Lord of the Rings” books, but it is not obvious what the counterpoint is in “The Hobbit”. For the sake of the exercise, let’s look at the Dwarves that Bilbo signs on with for his adventure. They are not in opposition to the Hobbits, but the contrasts between their cultures can create many opportunities for conflict and stories.
    • Centralized Authority: In contrast to the decentralized political structure of the Shire and Hobbits, the Dwarves are governed by a strong centralized monarchy led by a King under the Mountain (Thrain II, Thorin Oakenshield, or Thror). This king holds ultimate authority over all matters concerning the Dwarven realms.
    • Monarch-led Militaries: The Dwarven political structure includes a well-organized military force, which is led directly by the monarch and serves as the primary means of maintaining order, defending their kingdoms from external threats, and enforcing laws.
    • Clan-based Society: Dwarven society consists of numerous clans, each with its unique history, traditions, and distinct cultural identity. These clans function as smaller units within the larger Dwarven political structure, providing a sense of community, unity, and shared heritage among their members.
    • Mining and Metallurgy: The centralization of Dwarven political power is closely linked to their economic focus on mining and metallurgy. The extraction and processing of precious metals and minerals form the backbone of their economy, making control over these resources a crucial aspect of their political structure.
    • Historical Context: The Dwarves’ history of being driven from their ancient homeland in Khazad-dûm by the Balrog and subsequent struggles against various enemies like Smaug, the dragon, have shaped their society into a highly centralized and militaristic culture, emphasizing unity, discipline, and order.
    • Strong Community Ties: Despite their centralized political structure, Dwarves still maintain strong ties to their clans and communities. These ties provide them with emotional support, a sense of belonging, and the foundation for their unique cultural identity.
    • Meritocracy: The Dwarven political structure incorporates meritocracy through the concept of “Erebor’s Everlasting,” where the most capable individual is chosen to rule as king or leader, ensuring that those with the necessary skills and abilities are entrusted with governing roles.
    • Fear of Treachery: The Dwarves have a deep-seated fear of treachery due to their history of being betrayed by their enemies, such as Smaug and the Elves. This fear contributes to their emphasis on maintaining a strong centralized authority to protect against internal threats and preserve unity within their society.
    • Adaptation: While the Dwarven political structure is highly centralized and focused on maintaining order and stability, it also shows adaptability in response to changing circumstances, such as during the rule of Thorin Oakenshield and the events leading up to the Battle of Five Armies.
    • Reclusive Nature: The Dwarves’ reclusive nature and preference for living underground contributes to their unique political structure, which is centered on strong central leadership and a focus on preserving their communities and resources from external threats.
    • In comparison to the Shire and Hobbits, whose political structure emphasizes decentralization, community involvement, and mutual cooperation, the Dwarves’ political structure reflects a more authoritarian, centralized approach driven by their historical contexts, cultural values, and economic focus on mining and metallurgy.

One last step

Using this approach of looking at the economic and political structures from a favorite book, what are the story opportunities that spring to mind? Using my example, both Dwarves and Hobbits have strong community ties and an adaptive approach to things. Is this worthy of exploring? Does the centralized authority of the Dwarves monarchy create a potential plot conflict with Hobbits? While the books are already written on this tale, this simple thought exercise can help get your creative juices flowing for your own world and story.

Comments are open, so share your thoughts on either my example or your own!

Next up, looking at the geography of your world.


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World Building (pt 5) – It’s the Economy, Stupid!

We’ve started looking at the relationships between the political structures of your world and its economy. Any political body is going to have some relationship to the economic structures. Not to be too cynical, but if politics is about the accumulation of power and control, money plays too important a role to be ignored.

Economics plays a significant role in shaping the social fabric, political structures, and daily lives of characters within your story. Let’s explore some ways to make economics an integral part of your worldbuilding process:

1. Understanding Economic Systems:
Familiarize yourself with various economic systems such as capitalism, socialism, feudalism, mercantilism, or communism. Each system has distinct characteristics that shape the way resources are produced, traded, and distributed within a society. Understanding these systems will help you create an economically consistent world that resonates with readers.

2. Defining Currency:
Establishing a currency is an essential component of any economy. Consider the materials, production methods, and denominations used in your world’s currency. For example, precious metals like gold or silver have been historically popular choices for currencies due to their inherent value and durability. Alternatively, you may choose to create a paper or digital currency system for more modern worlds.

3. Identifying Key Industries:
Identify the major industries within your world that drive economic growth and employment opportunities. These industries might include agriculture, manufacturing, mining, fishing, or craftsmanship. Understanding these sectors will help you develop realistic trade relationships between different regions and cultures.

4. Creating Trade Networks:
Establishing trade networks is essential for driving economic exchange and cultural diffusion within your world. Consider the transportation infrastructure, such as roads, waterways, or air travel, that enables the movement of goods and people between regions. Additionally, consider how tariffs, taxes, or other regulatory measures might impact international trade relationships.

5. Designing Labor Systems:
Determining labor systems within your world is crucial for understanding wage structures, employment opportunities, and social dynamics. Slavery, indentured servitude, feudal labor, mercenaries, or wage labor are some examples of labor systems that have shaped historical economies. Consider how these systems impact the daily lives of characters within your story.

6. Incorporating Economic Conflicts:
Economic conflicts, such as resource scarcity, labor disputes, or trade disputes, can create compelling storylines and add tension to your narrative. These conflicts might arise from internal struggles within a society or external pressures from rival factions or neighboring regions.

7. Balancing Economic Development:
Ensuring economic balance is essential for creating a believable world. Consider the impact of resource depletion, environmental destruction, or technological advancements on your world’s economy and societal structures. Additionally, explore how economic growth might create new opportunities and challenges for characters within your story.

Examples in Science Fiction & Fantasy

Look at the desert planet Arrakis, depicted in Frank Herbert’s groundbreaking novel Dune, with a complex web of economic systems shapes the lives and power dynamics of its inhabitants. The valuable resource melange, or “spice,” is controlled by the cruel and manipulative Harkonnens, while the Bene Gesserit sisterhood leverages their knowledge of breeding superhumans to maintain influence. The Landsraad, a feudal confederation of noble families, regulates interplanetary trade through the Spacing Guild, which monopolizes space travel using its unique ability to fold space, and is itself dependent on the “spice” for their power. Amidst this intricate economic landscape, Paul Atreides rises as a charismatic leader and messianic figure, challenging the established order and reshaping the political and economic future of Arrakis and the universe beyond.

In Roger Zelazny’s acclaimed Amber Chronicles, the interconnected economies of various realms play a pivotal role in shaping the power dynamics and political intrigues within the multiverse. The prosperous city of Amber, ruled by King Oberon, relies on trade with other realms to maintain its wealth and influence. Meanwhile, the rebellious rebel prince Corwin navigates the complex economic landscape to rally support for his cause against his usurping brother Eric. Through strategic alliances, shrewd bargaining, and clever manipulation, Corwin leverages the economic interests of various rulers to further his goals and ultimately reclaim his rightful place on the throne. The intricate web of economic relationships adds depth and tension to this sweeping fantasy epic.

Time for you to try

This has been a lot of words with little concrete guidance. When it comes to world building, there really isn’t any single “right” answer. I challenge you to give it a try now, focused just on the economic aspects that may not even have direct impact on a story.

  1. Pick a favorite story or novel.
  2. List how one group of people in the story make a living.
  3. Use the five why’s to explore why the live that way.
  4. Pick one of the answers to those five why’s and decide how it influences the political structure of the culture the group lives in.
  5. If the story has characters opposing that political structure, explain why they oppose it; if the story does not have such a group, create one.

In the next post, I’ll share my example of this exercise. Comments are open, so feel free to post yours as well.


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World Building (pt 4) – Politics & Economics

Continuing my series on world building, let’s look at the politics and economics of our world. In prior posts, I discussed Cosmology and Mythology and Laws, Ethics, and Morality. These two aspects will have a significant impact on the politics and economies of your world.

Which came first?

Economics and politics go hand-in-glove, even if we don’t think about that as we’re writing a story. They are often a “chicken and egg” problem. A political structure is often rooted in economics, and economics often shape political thought as well.

Let’s take a look at the rise of monarchy and the consequent development of trade.

1. Monarchies Establish Stability:
Monarchies provided a stable political environment for trade to flourish by creating predictable, centralized authority structures. This stability was crucial for merchants and traders, as it allowed them to establish long-term business relationships and navigate complex regional economies with confidence.

2. Monarchs Promote Trade:
Monarchs recognized the economic benefits of trade and actively promoted it through various means. For example, they granted monopolies or charters to trading companies, established trade routes and infrastructure, and imposed protective tariffs to encourage local industries. Monarchs also used trade as a tool for diplomacy, establishing alliances and partnerships with other countries through favorable trade agreements.

3. Monarchies Facilitate Long-Distance Trade:
Monarchs played a significant role in facilitating long-distance trade by maintaining stable political environments, investing in infrastructure like roads and ports, and providing military protection for traders. For instance, the Roman Empire’s Pax Romana (Roman Peace) enabled extensive trade networks throughout Europe, North Africa, and the Middle East, contributing to its economic prosperity.

4. Monarchies Influence Economic Systems:
Monarchies influenced the development of various economic systems, including mercantilism and colonialism. Mercantilism, which emphasized the export of goods and the accumulation of wealth within a nation, was promoted by monarchs who saw trade as a means to strengthen their respective economies and build national power. Colonialism, in turn, allowed European powers to establish trading outposts in distant lands, expanding their economic reach and dominance.

5. Monarchies Spur Technological Innovations:
The prosperity derived from trade under monarchic rule led to technological innovations that further boosted economic growth. For instance, the development of efficient shipping technology, such as the caravel, allowed European explorers to navigate longer distances and reach new trading territories. In turn, these discoveries opened up new markets and resources, leading to increased trade and wealth accumulation.

Monarchies often derived their initial power base from “Divine Right”, which in a story would flow from the world’s mythology, ethics, and morality.

Another Example

The Islamic Caliphate, which emerged after the death of Prophet Muhammad in 632 CE, played a significant role in fostering economic growth and development through its political structure, cultural values, and religious beliefs. Let’s explore how this unique political entity influenced trade and economic progression during the Middle Ages.

1. Establishing a Stable Political Environment:
The Islamic Caliphate provided a stable political environment for economic development by establishing a centralized government that allowed merchants and traders to operate with confidence. This stability was crucial because it enabled long-term business relationships and facilitated the growth of trading networks across vast territories, including the Mediterranean, Europe, India, and China.

2. Promoting Trade through Religious and Cultural Values:
Islam’s emphasis on charity, trade, and education created a supportive environment for economic growth. The Islamic faith encouraged merchants to engage in business activities as a means of earning a livelihood and contributing to society. This moral support, along with the vast geographical reach of the Islamic Empire, facilitated the expansion of trading networks and the exchange of goods, ideas, and knowledge between diverse cultures.

3. Developing Infrastructure for Trade:
The Islamic Caliphate invested heavily in infrastructure to facilitate trade, such as building roads, ports, and caravan routes. For example, the famous Silk Road connected Europe and Asia through the Middle East, enabling the exchange of goods like silk, spices, precious metals, and knowledge between distant regions. This extensive trading network fostered economic growth and cultural exchange, laying the groundwork for future globalization.

4. Encouraging Technological Innovations:
The Islamic Caliphate’s focus on education and knowledge dissemination contributed to technological innovations that boosted economic development. For instance, advancements in mathematics, astronomy, and engineering led to improvements in navigation technology, making long-distance trade more efficient and profitable. Additionally, the widespread use of paper money facilitated large transactions and simplified international trade.

5. Encouraging Intellectual Exchange:
The Islamic Caliphate’s emphasis on education and intellectual exchange created a vibrant cultural milieu that attracted scholars, scientists, and artists from various backgrounds. This influx of diverse perspectives led to significant advancements in numerous fields, including science, mathematics, philosophy, literature, and art. These discoveries not only enriched the Islamic world but also influenced European thought and knowledge during the Middle Ages and beyond.

While this example would have very different cultural norms and dramatically different politics, you can see the similarities into what the political structure did for economic growth.

Common Political Themes

In each of these examples, the first goal of the political structure was stability. This is is a great starting point for exploring your world. Why did the people seek stability? What was the instability before? You can start applying the Five Why’s to this line of thinking and quickly build out a rich history for the political structure.

As you think through this background about why your character’s world sought stability and how the power structures evolved to give them that stability, you will want to add thoughts and details to the rise of governments (monarchy, democracy, oligarchy), defining power dynamics and authority figures, and establishing relationships between different political entities. These political dimensions will create opportunities for conflict and tension in your story. They may be the primary focus of some characters.

Let’s look at an example. Lord Kalvan of Otherwhen is an interesting adventure that weaves multiple political structures into a single narrative. The story revolves around Corporal Calvin, a Pennsylvania State Trooper who is whisked away to an alternate Earth. This alternate North America is split up into a number of kingdoms, each composed of small principalities, with a level of technology roughly equivalent to that of the late European renaissance.

The political structures in the book deal with both a feudalistic society dominated by a religious order built on the secret of how to make gunpowder, and the futuristic society trying to maintain the secret of dimensional travel between alternative worlds. The two extreme technological realms provide interesting contrasts to keep readers engaged, and that the same time present a lot of conflict for the main characters to resolve.

Without giving away the whole story, Calvin becomes a political force since he knows how to make gunpowder, which has a significant religious and economic impact on the world he finds himself in. His efforts are focused on stability for the kingdom he lands in driven firstly by need for survival, and then working to stabilize the fortunes of the kingdom and its neighbors in the face of an oppressive religious order who desperately seeks to cling to its own power.


Economic Impacts

Every world needs some thought applied to its economy. Even the Elves of Mirkwood in Tolkien’s Hobbit had at least a passing reference to economics, otherwise how would the escape from the dungeons in barrels be possible?

“It’s the economy, stupid!” is an essential reminder that every fictional world needs a well-thought-out economic system to ensure believability and depth. Economics plays a significant role in shaping the social fabric, political structures, and daily lives of characters within your story. We’ll dig into building an economy in the next post.


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Newer is not always better…

It’s been a while since I posted my post on Creating Character Images with Stable Diffusion and technology in the generative AI image creation space marches on. In the original posting, my go-to model was CyberRealistic_v33. Since that posting, both Stable Diffusion and the UI options for interacting with it have evolved. Most significantly, many models have been updated from the 1.5 model to what are termed XL models that have significantly more training data behind them and should produce hire-fidelity and more accurate images. Let’s take a look and see if that holds true.

My set-up

I’m running Stable Difussion on a Mac Pro with a M2 processor and Automatic1111 for the UI. In my original post, I was using version: v1.6.1  •  python: 3.10.13  •  torch: 2.0.1  •  xformers: N/A  •  gradio: 3.41.2  •  checkpoint: 7a4dbba12f. I have upgraded several components over the past few months and I’m now running version: v1.8.0-2-gb4d466bc  •  python: 3.11.4  •  torch: 2.1.0  •  xformers: N/A  •  gradio: 3.41.2  •  checkpoint: 44233ad4b7

The baseline

Here is the final image from my first posting under the old versions of the software and using the CyberRealistic v33 model:

Using the same prompt on the new versions of software, but still with the CyberRealistic v33 model produced:

Not bad, but you can see there are differences in what should be an exact reproduction. I may dig into the differences in a future posting, but for now, want to see how changing to a newer model performs.

I chose to start this experiment with iNiverse Mix XL(SFW & NSFW) since I liked the results it gave for some testing around using it to generate an image in my character template series . Here are the results:

The prompts used:

(full body) photograph of a young woman[Joanna Krupa:Summer Glau:0.6] standing under a blossoming cherry tree, stream flowing in background, athletic build, fit, slender waist, narrow hips, platinum blonde hair, french-twist hairstyle, big blue eyes, smiling, (wearing a short (red:1.5) beaded cocktail dress with black details), rim lighting, sunset, twilight, soft focus, dof <lora:epi_noiseoffset2:0.75> <lora:LowRA:0.4> (low key) <lora:add_detail:1>
Negative prompt: Asian-Less-Neg, CyberRealistic_Negative-neg Steps: 70, Sampler: DPM++ 2M Karras, CFG scale: 25.5, Seed: 1017757063, Face restoration: CodeFormer, Size: 512×512, Model hash: 44233ad4b7, Model: iniverseMixXLSFWNSFW_74Real, Variation seed: 2310841749, Variation seed strength: 0.31, Denoising strength: 0.65, ADetailer model: face_yolov8n.pt, ADetailer prompt: “<lora:lora_perfecteyes_v1_from_v1_160> (perfecteyes blue eyes),\n(flawless skin), beautiful face”, ADetailer confidence: 0.3, ADetailer dilate erode: 4, ADetailer mask blur: 4, ADetailer denoising strength: 0.4, ADetailer inpaint only masked: True, ADetailer inpaint padding: 32, ADetailer model 2nd: hand_yolov8n.pt, ADetailer confidence 2nd: 0.3, ADetailer dilate erode 2nd: 4, ADetailer mask blur 2nd: 4, ADetailer denoising strength 2nd: 0.4, ADetailer inpaint only masked 2nd: True, ADetailer inpaint padding 2nd: 32, ADetailer version: 24.4.2, Hires upscale: 2, Hires upscaler: R-ESRGAN 4x+, Lora hashes: “epi_noiseoffset2: d1131f7207d6, LowRA: 0dfc93870ba3, add_detail: 7c6bad76eb54”, Dynamic thresholding enabled: True, Mimic scale: 4, Separate Feature Channels: True, Scaling Startpoint: MEAN, Variability Measure: AD, Interpolate Phi: 0.93, Threshold percentile: 98.35, Mimic mode: Half Cosine Up, Mimic scale minimum: 4, CFG mode: Half Cosine Up, CFG scale minimum: 3.5, Downcast alphas_cumprod: True, Version: v1.8.0-2-gb4d466bc

Obviously, not what I was hoping for from a model that is more than 3x larger. Let’s see if a different XL model works better. I’ll switch to HalcyonSDXL which is supposed to give better photorealistic results. Additionaly, XL models recommend a minimum size of 768 x 768 pixels, so that is an easy change. They are also suppose to perform better without the CFG Scale fix, so I’ll disable that as well and set the CFG scale to 5.

Better, but it still is not what I was hoping for. Let’s see what other tweaks might help. The XL model series have different recommended sampling methods as well. For this model, the creator recommends DPM++ 3M SDE Karras. I’ll also bump the sampling steps up to 47. Let’s give it a try.

Still not giving me what I’m looking for. Let’s try pulling the Lora’s from the prompt that may be affecting the image:

hmmmm. It looks like the only significant change is some additional detail in her dress, and a less defined right hand. XL models are supposed to perform better with lower sampling steps, so let’s give that a try. Instead of 70 steps, let’s go down to 35 and see what happens.

It looks like the “black details” portion of the prompt has been picked up now, but little else has changed. One last change, lowering the CFG Scale. XL models seem to have a much lower CFG scale sweet spot than the baseline 1.5 models. Let’s drop the CFG scale to 3.5 and see if it makes a difference.

Our beading in the dress is back, but she’s either gained a leg, or has very strange anatomy. I’m not convinced this is a win for the image. Nudging the CFG scale up to 4 gives me:

The leg issue is cleared up with that change. Let’s keep these prompt settings and see how a couple other XL-based models perform.

First-up, RealCartoonXL_v6. Contrary to what the name implies, this model does a good job with photorealistic images as well. However, the results do look a little ‘cartoonish’ with our existing prompt.

Next, let’s see how EpicRealismXL_v5 performs.

How about EpicRealismXL_v7?

A note on the model page suggests removing the negative prompt for XL-based models, so let’s see what that does:

To bring this experiment full circle, here is the same prompt used above with my original model (CyberRealistic_v33).

Conclusion

Newer is not always better. From an aesthetic perspective, I still prefer the original image using a 1.5 model. However, the newer models and “higher fidelity” versions do simplify the prompting for initial results. I’m certain the updated models have capabilities and adjustments I’m not using, so please do test your own images and prompts to see what appeals to you. For me, I think the 1.5 generation of models are still faster and more appealing.


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